This magisterial book is an analysis of the course of Western intellectual history between A.D. 400 and 1400. The book is arranged in two parts: the first surveys the comparative modes of thought and varying success of Byzantine, Latin-Christian, and Muslim cultures, and the second takes the reader from the eleventh-century revival of learning to the high Middle Ages and beyond...(展开全部)

This magisterial book is an analysis of the course of Western intellectual history between A.D. 400 and 1400. The book is arranged in two parts: the first surveys the comparative modes of thought and varying success of Byzantine, Latin-Christian, and Muslim cultures, and the second takes the reader from the eleventh-century revival of learning to the high Middle Ages and beyond...(展开全部)

How was history written in Europe and Asia between 400-1400? How was the past understood in religious, social and political terms? And in what ways does the diversity of historical writing in this period mask underlying commonalities in narrating the past? The volume, which assembles 28 contributions from leading historians, tackles these and other questions. Part I provides co...(展开全部)

How was history written in Europe and Asia between 400-1400? How was the past understood in religious, social and political terms? And in what ways does the diversity of historical writing in this period mask underlying commonalities in narrating the past? The volume, which assembles 28 contributions from leading historians, tackles these and other questions. Part I provides co...(展开全部)

牟复礼（Frederick W. Mote，1922年-2005年）美国著名汉学家、中国历史学家。牟复礼的中文名得自《论语》中的 “克己复礼”。他是普林斯顿大学东亚系的奠基人，并将其发展成全美国乃至整个西方研究中国历史的中心之一。其主要著作：《帝制中国：９００﹣１８００》（Imperial China: 900-1800），主持编写《剑桥中国史•明代史》，翻译萧公权的名作《中国政治思想史》等

This brief paperback introduction to the basic ideas that underlie traditional Chinese culture focuses on the "Golden Age" (600 B.C.-150 B.C.) of Chinese philosophy.

This 2006 book is a detailed and authoritative account of the last two centuries of the development of 'Western' medicine, a tradition now important everywhere in the world. It is written by leading experts who not only describe the most important people, events, and transformations, but give explanations for why medicine developed as it did, becoming as important as it has in ...(展开全部)

This 2006 book is a detailed and authoritative account of the last two centuries of the development of 'Western' medicine, a tradition now important everywhere in the world. It is written by leading experts who not only describe the most important people, events, and transformations, but give explanations for why medicine developed as it did, becoming as important as it has in ...(展开全部)

H.W.詹森（H.W.Janson，1913—1982），美国著名艺术史家，艺术史学的传奇人物，曾任纽约大学艺术系教授、系主任。詹森出生于圣彼得堡，后随家人迁往德国汉堡，就读汉堡大学期间师从艺术史大师欧文·潘诺夫斯基。后接受潘诺夫斯基的意见移民美国，于1942年获哈佛大学艺术史博士学位。曾任美国艺术院校协会主席，《艺术通报》编辑，他还是美国文艺复兴学会的创办人之一并曾任主席。詹森主要致力于文艺复兴艺术和19世纪雕塑的研究，主要的学术著作有《多纳太罗的雕塑》和《19世纪雕塑》等，晚年主要关注东西艺术对话。1962年撰写出版了艺术通史著作《詹森艺术史》，大受欢迎，很快成为艺术史教育的标准教材。 A.F.詹森（A.F.Janson），美国北卡罗来纳威明顿大学艺术史教授，博物馆策展人，H.W.詹森的儿子。从他父亲于1982年去世到2004年，由他负责修订《詹...(展开全部)

H.W.詹森（H.W.Janson，1913—1982），美国著名艺术史家，艺术史学的传奇人物，曾任纽约大学艺术系教授、系主任。詹森出生于圣彼得堡，后随家人迁往德国汉堡，就读汉堡大学期间师从艺术史大师欧文·潘诺夫斯基。后接受潘诺夫斯基的意见移民美国，于1942年获哈佛大学艺术史博士学位。曾任美国艺术院校协会主席，《艺术通报》编辑，他还是美国文艺复兴学会的创办人之一并曾任主席。詹森主要致力于文艺复兴艺术和19世纪雕塑的研究，主要的学术著作有《多纳太罗的雕塑》和《19世纪雕塑》等，晚年主要关注东西艺术对话。1962年撰写出版了艺术通史著作《詹森艺术史》，大受欢迎，很快成为艺术史教育的标准教材。 A.F.詹森（A.F.Janson），美国北卡罗来纳威明顿大学艺术史教授，博物馆策展人，H.W.詹森的儿子。从他父亲于1982年去世到2004年，由他负责修订《詹...(展开全部)